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You can even convert LUTs into Pixelmator adjustments or save a set of adjustments as a LUT.
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Pixelmator Pro also supports LUTs (Lookup Tables), so that if you have LUTs from other software or packages (I use LUTs) you can drag them into the Pixelmator LUTs folder to make them accessible within the program. It automatically identifies and masks an object or area as you drag, previewing the selection with a yellow mask, and is especially good at following object edges. And if you accidentally smudge a detail or erase an edge, you can fix it with the clone tool and its intuitive live preview.Īnd the object selection tool is so simple and effective it makes you smile. If you miss a bit, you paint over it and that goes too. You paint over an object and it goes away. Its perspective correction tools look odd at first but are wonderfully effective for correcting perspective by eye rather than with sliders and marquees – Pixelmator Pro makes it super easy to fine-tune perspective quickly and by eye. Some features in Pixelmator Pro really stand out. Its Perspective Transform effect looks strange compared to others, but makes correcting converging verticals (and horizontals) by eye supremely simple. Pixelmator’s apparent simplicity is deceptive. It is ideal for photographers who need to merge their work with illustration, poster design or digital art, and Pixelmator Pro offers an intriguing cross-discipline approach to this kind of artwork. Its real strength lies in its speed and efficiency rather than any great depth. Pixelmator does not do HDR, focus stacking or panorama stitching, and while it does have a variety of film presets, light leak effects and a grain tool, it’s not really a strong rival to an analog effects tool like Exposure X6, ON1 Photo RAW or Analog Efex Pro ( DxO Nik Collection).
There are no adjustment layers (you have to duplicate a layer instead), and the masking tools are relatively basic – but for many composite image and layering tasks, it has all you need, including opacity and blend mode controls. It’s good at layers, masking, retouching and general image enhancements. Pixelmator Pro is designed to be used as a standalone application, but would also make a great external editor for Lightroom Classic or Capture One. You can apply more than one instance of each effect to an image layer. Here I’ve blended four versions of the same image, using different effects and blend modes.
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Pixelmator’s full height layers palette, left, hints at its compositing capabilities. For example, the illustrations in these articles on composition were created in just a few minutes using Pixelmator’s vector tools and image layers. It’s like an inexpensive odd-job tool that can do more than you think and turns out to be more useful than you expected. What Pixelmator does is combine these disciplines in a speedy, lightweight package.
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For professional illustration and digital art, you might want to look at Illustrator or Affinity Designer (or Corel Painter, if you’re a Windows user) instead. If you want a powerful photo editor, you’re probably better off with Photoshop or Affinity Photo. It’s fast and streamlined and does what it does without the ‘bloat’ that can make other programs hard work. It’s not very expensive and not terribly deep in its features, but it would be a mistake to cast it as an ‘amateur’ program simply because of that. It’s really useful when you need to turn photos into diagrams, infographics or even posters. Pixelmator would be ideal for photographers looking for a fast, lightweight adjustment tool that can also handle layers, masking and minor retouching without all the fuss of Photoshop.īut its strongest appeal is perhaps for broader ‘digital artists’ who use photography alongside design, illustration and even hand-drawn digital painting. This fusion of line art and photograph was easy to create in Pixelmator, blending a duplicate of the image layer with the original and using one of Pixelmator’s Artistic presets.
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It’s also available for a one-off license fee, not a subscription. Like Photoshop, it’s aimed at multiple disciplines, not just photography, but, unlike Photoshop, it’s very, very quick, both in startup time and editing tasks. In a way, it’s a little like Photoshop, but radically different at the same time.
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See also: Best image editing software – what to look for, how to choose.Photo editing is probably its most prominent role, but it weaves in text, graphics and paint tools to take photos in a different direction to most photo editors.
It’s really rather hard to categorise because it straddles several genres. Pixelmator Pro is a Mac only application that is part photo editor, part vector illustration program and part digital painting tool.
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